Sep 152016
 

I wrote this for She the People, earlier this week

Many years ago, I read Margaret Atwood’s, dystopian novel, Handmaid’s Tale. Set around a plausible tomorrow, it looks at a world where fertility has plummeted, and there are a special category of women   who are kept especially for reproductive purposes. As I read the “Politics of the Womb” by Pinki Virani a frightening today began to emerge. Where there are women, whose only value to the world seems to be the eggs that she produces, the uterus that she has, and the womb that she rents.

A riot, in very slow motion, is being engineered on the woman inside her body; to take her apart, part by profitable part.

The slow rampage is in the name of God – for hers is the womb and she shall conceive.

In the name of science – for hers is the hostile uterus and medical evaluation must arbitrate. ……The world over, the combined might of religion and science has converged to martial many a uterus with a child. At any cost; to the woman, to her baby.

The opening lines of Pinki Virani’s long hard look at the surrogacy industry, hits you in the gut, and pulls you into a narrative structure that takes you into the universe of uterus pimp; the woman (who is the walking uterus; IVF clinics that charge, and charge, and charge;  the desperate, would be,  parents who want to have a biological child; and the mad rush for designer babies. Politics of the Womb – The Perils of IVF, Surrogacy and Modified Babies is both a behind the scenes look at the new industry that seems to have grown without regulation;  the ethics of such work; and a normative framework for regulation. It is also a manifesto of the rights of the unborn child. Someone has to speak for the child, and Ms Virani makes a very strong case for children born of IVF.

 

The books looks at how expensive  IVF (In Vitro Fertilization) treatment  is being pushed as the first option, on desperate parents, when there are a gamut of other options, that could spare the prospective parents both an expensive bill, as well as physical and mental trauma. There is between 72-80% failure rate per IVF cycle. Less than a third of people who start the IVF treatment, come away with a baby. The costs-  financial, physical and emotional – are seldom publicized or discussed. And, all this in the backdrop of an  industry that sells a myth of fertility, and downplays the medical risks both to the mother and those that may occur to the child. Virani  looks at the data surrounding IVF and birth defects, that leads to children being born autistic, and  with mental retardation. The risk of babies conceived through Ivf or Icsi (intracytoplasmic sperm injection) is 37% higher than babies conceived naturally. “Collateral damage” says a doctor, on the side effects, and birth defects.

Virani’s anger against the commoditization of the uterus, and its commercialization, is palpable. When she quotes doctors, involved in the baby making business,  she lets their callousness and utter disregard for the woman’s body, and the reproductive process , stay there unvarnished. “What is a uterus, it is like a room. Repaint, redecorate any number of times”’, Virani quotes a doctor saying.

Surrogacy is in the news of late, because of the bill being discussed in Parliament, as well as the Government’s banning of commercial surrogacy. In light of the high pitched conversations around this topic, it might be worthwhile to read the “Politics of the Womb” to look at the issue in a holistic manner.

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(Politics of the Womb; The Perils of IVF, Surrogacy & Modified Babies; by Pinki Virani; Viking; Rs 599; Pages 304)

Aug 232016
 

mm

 

🙂 world class athletes reduced to “hotties”. And, i don’t see a single hot male here…..

I am yet to make up my mind whether it is sexist towards women (by portraying them as mere ‘hotties’) or discriminatory towards men ((not one makes the list of ‘pin ups’).

Also, apart from Natasha Richards, not a single person of colour — i am assuming, darker variants of skin are not hot #justsaying

Your view ?

Aug 222016
 

This is the front page of the Mumbai Mirror.

sindhu

What Lakshmi, who represented india in the 1996 Atlanta Olympics, actually  said “Sindhu has what i didn’t have back then – my husband as a coach”

I know readership is an issue. I know clicks are difficult to come by. Maybe the reason is that editors play around with the truth. And, maybe, just maybe … that is why readership and clicks are a problem.

This kind of salacious stupidity really, really, bothers me. Really.

Jul 282016
 

28_07_2016_017_009

(image courtesy – Times of India)

Any good boss, worth his/her salt will not expect you to spend too much time with them. Good bosses, empower their teams to make their decisions – allow them space to make errors, and allow them to grow. They expect the (empowered) person to think, do, and deliver. Not to spend time with them. If your boss is needy for company, find a new boss 🙂 Because, only insecure bosses expect face time from their reportees….. You need to remember this about a workspace – it is a professional set up, not a darbar.

I feel for the agency person (or inhouse person) who came up with this — they have had the wrong bosses. they aren’t going to grow, or go anywhere. What is expected is delivery. Not keeping the boss company 🙂

And, i am not even going to outrage on the sheer sexism of this. The stupidity is far more stunning.

#justsaying

(Ps… someone reached out to me — CEO apparently is career enhancement officer … which brings me to another point, if you have to explain an ad, you are in trouble)

Jun 062016
 

Most mass media practitioners will tell you that classical music is elitist. that it is mean to be enjoyed in rarified atmospheres, with others in their social class. There is a general perception that mass audiences will not enjoy classical music. And, that, ‘mass’ is defined as lower socio economic classes.

54f3d7137fa52ef85622ab2adcead570Like most mass audience assumptions, this is untrue. As children, even as young adults, when we went for concerts – usually open air concerts in various grounds across Mumbai, what you would see is a sprinkling of people across classes – auto rickshawallahs to CEO’s and promoters – sitting next to each other, and just becoming part of the music.

Consistent litigation, and the banning of open air, all night concerts – i have been to one, at shivaji park,  where it began with a puriya (at 7 pm, and ended with an Aahir Bhairav at dawn), – and consistent middle class intolerance with other people enjoying themselves; as well as judicial intervention has led to the mass dissemination of classical, and mass participation, declining. Also, it has led to a decline in innovative solutions for noise pollution.  There are technical ways of limiting sound within a given perimeter. Ban is so bloody binary. solutions are so much more interesting.

But, i digress. One of the reasons why classical is considered elitist, is because we – mass media professionals – like stereotyping our audiences. If you are 16-18 you must be a cool chaser; if you are young, you must want edgy and rude; if you are a guy you must want to watch other guys talk about sex; if you are a girl, you must talk about men, kids and make up. Which tells you why there is such a rate of churn on shows, and why so many films flop. Formula work, till a point that they don’t work. And, in today’s market, most tried and tested formulae are failing.

Unfortunately, audiences are people And, people are complex. And, in a digital world, these assumptions are not just wrong, but to work with them, is suicidal stupidity 🙂

Just as a case in point, here is a video from America’s got talent. Hear the singer (from the second minute) and more importantly, watch the audience. And, note your own reactions to the song. And, tell me, you won’t mind sampling, watching or listening to stuff like this

Laura Bretan sings.

Btw – this is Pavarotti with Nessun Dorma –

i don’t understand a word of what he says, but the music my soul understands.