Kishore Kumar was a genius. His repertoire varied. and his legacy phenomenal. He was perfectly at ease with all kinds of music
from the fun & frolic (my name is anthony gonsalves); to the melancholy (manzilen apni jagah hai); from the soft wooing numbers (ek ajnabi hasina se) to the boisterous declaration of intent (haal kya hai dilon ka na pucho sanam). He also was great at the rebel anthem – muqaddar ka sikandar – and the whimsical folksy philo number -which Mukesh did very well – like ruk jaana nahin

There is another area of songs that Kishoreda excelled in, and that was the inebriated lover. I am not quite sure whether he imbibed or not, but the songs that he sang for the intoxicated lover were quite outstanding. Here in, no order of preference are my favorite Kishore da ‘drunken’ numbers

A) Yeh jo Mohabat Hai - no one sang for a wounded lover, better than Kishoreda. For some reason he managed the bitterness, the hurt and the ‘why me’ feeling better than most. Rafi sahaab’s drunken songs (hum bekhudi mein tum ko pukare) were more melanchonic, Kishore da’s more punchy


Here he is, in the film Kati Patang, drinking to the vagaries of a disloyal love. ‘mar jaye mit jaaye, ho jaaye badnaam’ sound incredibly personal.

B) My Name is Anthony Gonsalves – Kishore Da sings for the Big B. I can’t think of a more endearing drunk than Anthony Gonsalves. Remember the scene in the film, where Anthony after a punch up with Amar (Vinod Khanna) begins applying band aid on the mirror !
This is the song where Anthony chances upon Jenny (Parveen Babi) and promptly gets drunk. The song is a blast and an all time favorite.

The English gibberish ‘the hemoglobin of the atmosphere’ is rapped (before the term came into existence ) by Amitabh Bachchan.

C) Yeh Kya Huva - alcohol does not just get you drunk, it also leads to philosophical clarity (atleast in Hindi films) as is the case in Amar Prem. Kishore Da sings this for Rajesh Khanna who is trying to figure the who, where, when, what, why of life :)

D) Salaam-e-Ishq meri jaan - alcohol doesn’t just make you melanchonic or philosophical, it also lowers your inhibitions. Here is a song from Muqadaar ka Sikandar – my favorite adaptation of Devdas. Rekha and Amitabh Bachchan setting the screen on fire with Salaam-e-Ishq

E) Jai Jai Shiv Shankar - Bhang is not alcohol – but its effects are similar. Loss of inhibition, boisterous behavior, and the belief you can ‘handle’ it. An emotion akin to that felt by idiots who get behind the wheel of a car and drive after one too many. Here is Kishore da (with Lata Mangeshkar) singing for a completely sloshed Rajesh Khanna and Mumtaz in Aap ki Kasam

and of course, there is the Big B, after consuming bhang laced paan who has a blast in the old “Don”. Legend had it that Kishoreda, sang the first part of the song with paan in his mouth – whether it was laced with Bhaang or not is anyone’s guess.

F) Thodi si jo Peeli - When you are drunk, you do strange things like dance on tables (a friend has done that) or sing antakshari with Shiv Sena workers (me :) – or you do what AB does in Namak Halaal – tho’ in this song, if memory serves me right, he pretends to be drunk rather than being. But still a good inebriated song. Check for KK’s well timed hiccups


for me, this film was the best that Bappi Da has ever composed for – each song is a classic.

G) Hai Hai Hai Yeh Nighayen - In early Hindi films – 50′s and even 1960′s alcohol meant westernization – unless of course you were getting drunk on country liquor in a tawaif’s kota. It never happenend in a family, party scenario. Here is one of the early Kishore numbers picturised on Dev Anand – who actually didn’t need alcohol to be wobbly :) – The film is Paying Guest

H) Khulam Khula Pyaar Karenge Hum Dono – Alcohol, in Hindi films, is also a pheromone, that brings about strange behavior in those who imbibe it. Such as the desire to make out on a public road in the hill stations. Here are Kishore Da and Asha Bhonsle singing for Rishi Kapoor & Neetu Singh – in Khel Khel Mein.

I) Badi Sooni Sooni Hai - the single drink is a dangerous thing, especially when you are depressed or alone. It accentuates the feeling and pushes you to the second, and the third and so on…. As exhibited by AB in Mili. There is no one more alone than AB in this film – his father murdered his mother when he was a kid, and the neighbours can’t stop talking about him. His salvation is Mili (Jaya B) – classic Mills & Boon plot with a great dose of sentimentality. There is one more first here – AB acted in a chick flic before the term came into existence.

J) Chingari Koi Badke - Alcohol disperses all illusions and makes the world a clearer place – atleast until you stay drunk. The film is Amar Prem, and Kishore Kumar sings for Rajesh Khanna – who is in a permanent state of alcohol induced philosopher mode. One of my favorite songs of all times.

Do add your favorites to this list.

Also check out last year’s list – Classical Kishore - Kishore da singing songs based on classical ragas.

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A few days ago, I read that Jose Saramago had died.

I first came across Saramago’s works nearly 20 years ago, when I chanced upon a copy of “The Gospel According to Jesus Christ”. It was a fascinating and thought provoking book. It was the first time that i read some thing that could be considered ‘blasphemous‘, though it wasn’t the last. Though, at the time I read it, I neither realised the extent of blasphemy nor the price the author had to pay for expressing it.

The Jesus that Saramago wrote about, was deeply human and terribly vulnerable. He wanted the things that everyone else wanted- peace, security, happiness, a partner, and children. However, divine chess between God and the Devil, ensured that he was martyred. Funnily enough, the Devil in the book, comes across as far more sympathetic than God. The God in this book is much more like Indra than like Ram, manipulative rather than beatific.

The next book that I read was Blindness. I reacted to it the same way that I reacted to Lord of the Flies – with a certain kind of nauseated fascination. While theoretically one knows that ‘culture’ and ‘civilization’ are not even skin deep – it is the rapidity and brutality with which it unravels in both stories that disturbed me. It is almost as though morality and conscience are cloaks that we wear, without really internalizing either.

I bought seeing a few years ago, and i have to confess that i still have to read it. Somehow reading Saramago requires a lot of attention and concentration – and the last few years have left me empty of both.

Saramago, has one of the most interesting narrative styles that I have ever read. It is long sentences, with very few full stops. I line is possibly a page:) often sections seem like the inner ramblings of a lead character – but, it is difficult to say, since there are no ” ” marks .

Saramago introduced me an entire range of writers who were writing in Portuguese and Spanish – including Isabella Allende, Marquez, Paz, Llosa – and my life and views are better for that!

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Clap

Cogito Entertainment’s first Marathi Feature Film “Jhing Chik Jhing” releases on the 11th of June 2010.

Promotion and Publicity are in full swing. The partners are all over Maharashtra holding Press Conferences. The promos will hit the TV channels by the end of this week, and the theatrical trailer is running across theatres in Maharashtra

Here is the theatrical trailer:

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Cogito Entertainment’s first Marathi feature film Jhing Chik Jhing is releasing on the 11th of June . And, obviously before its release there are a zillion things to be organised and put into place. Distribution is the next phase of the film. and to get audiences to the theaters, a fair amount of thinking and planning has gone into publicity and promotion.

Yesterday, we received the photosets that will go up at various theaters. Have a look. And, tell me what you think !

Bharat Jadhav in his award winning role as Mouli – a good decent man who has nothing left to lose but his sense of honour and self respect.

Chinmay Kambli in his award winning role as Shyam – a boy who won’t let circumstances prevent him from reaching for the stars

Madhavi Juvekar – i her award winning role as Manda.

Dilip Prabhavalkar – plays kavi

Aarti More plays Dipti

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I like watching movies uninterrupted. no breaks every 15 minutes, no phones ringing, no kids crying …. Which pretty much rules out watching movies on TV or even at the multiplex. At one point in time I had a huge VHS collection – now I tend to buy DVD’s where i can, or watch it as a DIVX.

I acquired a Body of Lies sometime last year. I have always liked the work of Ridley Scott – and consider Blade Runner amongst my favorite films of all times.

Body of Lies is Ridley Scott’s adaptation of a novel by David Ignatius.The story is about the CIA’s war on terrorism – and how the lines get blurred between them and those they fight.

Di Caprio plays Roger Ferris a ground level operator – who hops across the Middle East trying to keep the world safe ! Russel Crowe plays his CIA controller Ed Hoffman – flabby, and with a God Complex – who pulls his strings like a puppeteer.

The one role that stood out was that of the Jordanian Intelligence Chief Hani – played by Mark Strong. He is alone worth the 2 odd hours you spend on the film.

If you suspend belief – which you must since this is a film – the film is plausible. The film contains the kitchen sink – Gizmos, satellite technology that can read a coke label from the skies, A Hero who can flit from country to country and take over spy operations, who speaks the language like a native, who along with one guy on a computer manages to create a terrorist organisation by him self, and a nice nurse whom he falls for – and for whose safety he hands himself over to the bad guys to face torture and possibly death. It makes you ask ek admi desh ke liye kya kya karega :)

In a way it was a nice Sunny Deol role for Di Caprio – the only thing missing was dancing in the desert.

Di Caprio is earnest as Roger Ferris – almost believable in what’s a Bond role without the suspension of disbelief. Crowe – his controller, and someone Di Caprio is in conversation all the time – has a seriously funny track. He controls intelligence while playing dad – in between taking his kids to the loo, football matches, dropping them off at school and the like. If intelligence is controlled this way – no wonder the US is losing the war on terror :)

This by no means was a bad film, but it is not something i will remember even next week !

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Clap

Jhing Chik Jhing is up for release in June 2010.

It has been a long, long, long journey …. I have often told Shishir Kulkarni (my biz partner and the lead on this film) that the making of the film has all the twists and turns of a thriller. :) We are going to have t-shirts printed – made a film and survived the experience. and another one that says made a film – without killing each other :)

The awards on the film continue. The latest being the extremely prestigious Maharashtra State Awards. 7 awards last weekend ….. It feels even greater because we have no god fathers, low skills in networking, can deal but cannot wheel :)

Our friends in the industry, and outside it have been magnificent. Offering us unconditional support. The Marathi industry, perse has been fabulous. Unselfish, supportive and helpful.

They say that your first film is like your first lover, you will never forget the experience. I think the making of Jhing Chik Jhing is going to become part of the legend that we tell our grand kids (if we have any :)

Yesterday, we had our first ad release in the Maharashtra Times :

translation -
Chinmay Kambli – best child actor – Maharashtra State Awards, 2010
Bharat Jadhav – best actor – Maharashtra State Awards, 2010
Madhavi Juvekar – best actor – Maharashtra State Awards, 2010
Nitin Nandan – best director (2) – Maharashtra State Awards, 2010
Nitin Nandan – best director for a film with a rural theme – Maharashtra State Awards, 2010
Cogito Entertainment – best film (2) – Maharashtra State Awards, 2010
Cogito Entertainment – best film with a rural theme – Maharashtra State Awards, 2010
Nitin Nandan – best story – Zee Gaurav, 2010
Bharat Jadhav – best Actor – MaTa Sanman 2010
Chinmay Kambli – best child Actor – MaTa Sanman 2010
Madhavi Juvekar – best actor – Sanskruti Kala Darpan, 2010
Chinmay Kambli – best child actor – Sanskruti Kala Darpan, 2010

Releasing 11th June 2010 in selected cinemas …..

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Our film Jhing Chik Jhing is up for release in June.

Based in rural Maharashtra, with the backdrop of agrarian debt & farmer suicide, the story is that of a boy – Shyam (Chinmay Kambli – best actor MaTa Sanman, Maharashtra state awards) whom dares to hope for a better future, his never say die attitude.

Director Nitin Nadan – who also won the best story award at Zee Gaurav – shares his vision of the film

Jhing Chik Jhing is a phrase that the protagonist Shyam naturally uses to express joy; when he feels something positive has started happening for him. He is full of dreams and a go-getter just like many other children of his age. What makes his story unique is the fact that he has the audacity to hope even though he is surrounded by poverty, because his father is a farmer in debt.

I believe that only those people rise in life, that have absolutely nothing to fall back on – nothing to lose.

The dichotomy in my country baffles me. When the Indian economy witnessed a sharp rise in the last decade, ironically more than 10000 farmers committed suicide due to indebtedness in Vidarbha, Maharashtra (State in India). It was a phenomenon that took India by storm. They swallowed pesticides, hung themselves from trees, set themselves on fire or jumped down wells. Most of them were plagued by debt, poor crops and hopelessness.

I thought of this story when I came across more than 50 children in a remote village school. We were shooting an environment series for India’s national channel, in the interiors of Vidarbha, Maharashtra. These children surrounded our car looking very excitedly inside. That is when the forest officer told me that this was the area where the maximum number of farmers had committed suicides. I was sure at least one of those boys wanted to own a car when he grew up. My mind was flooded with questions –

What if one of these boys has dreams?

And what if his father wants to commit suicide with the whole family?

How will the boy survive? Where will he derive strength from?

There were many stories that I could have chosen for my first film. All entertaining and commercially viable! But I debated within myself as to what was more important – a film only for the sake of a glamorous career or a film based on the issues that I have deeply felt for, for years?

I picked up few real instances and weaved them into an imaginary story. To elaborate, in my personal journey from a small nondescript tribal school in rural India to Mumbai, the City of Dreams, I have survived by sheer ‘HOPE’. So my protagonist’s character is also defined by Hope. Simplicity in expression was my priority. For the same reason the story telling is linear. For me it was important to get the audiences to feel for the characters and sympathize with them. The characters live simple life yet there exists an inherent drama. It unfolds through the characters’ behaviour in situations. Even the solution I suggest is simple and right upfront.

I know for a fact that before my film many films have been made and after my film many will be made. Where I stand as a filmmaker is not the question nor is how my film gets rated. What definitely matters to me the most is how deep an impact my film will create on the people who see it. Whether it will make them want to alter their existing lifestyle (food) to organic lifestyle.

Thousands of farmers for almost 3 decades have been misguided under the pretext of green revolution (inorganic Farming). I as a director feel for it strongly and want to put it across to the consumers who can create a difference because I firmly believe that “You must be the change you wish to see in the world”.

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Share photos on twitter with Twitpic

this via @shalombook on twitter.

essentially, the soaps are rating an average of 5.4 TVR, and IPL is rating 5 in the top 4 cities amongst the GE audience. Soaps that cost an average of 6-12 lakhs beating up the country’s largest Reality extravaganza that costs many, many times more …..

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The kind of stuff that makes you choke over your breakfast. This from the world’s most read English Language Newspaper.

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And, finally that day has arrived …. the day we were all waiting for with bated breath. The day entertainment and news jointly mutated to become a completely different entity … newtertainment, perhaps ? As the name suggest Newtertainment , a term i just coined out of sheer boredom, to describe the heady mix of sensationalist headlines, fluffy features, and celebrity mutterings that are shown on most 24 hour news channels – that ends to end up neutering the senses and possibly the brain !

Star News is conducting a national hunt for news anchors .

From their FB page

STAR Anchor Hunt is first ever talent hunt on news platform. Star News will choose best talent of the country to anchor news shows on STAR channels through STAR Anchor Hunt

The eminent judges are:

Deepak Chaurasia – from Star News :

“one of the smartest political minds in Indian television who would often offer the most provocative take on the day’s news from the campaign trail and beyond.”

Tisca Chopra.

Kushwant Singh’s niece, is an actress who has worked in theater, television and movies.Tisca Chopra topped Hindu College, University of Delhi in English Literature.

Chetan Bhagat

the author of four blockbuster novels, Five Point Someone (2004), One Night @ the Call Center (2005), The 3 Mistakes of life (2008) and 2 states-the story of my marriage (2009).

(all the descriptors are from the Star Site )

I guess if the world’s largest selling English Language daily can have a car shaped hole through its masthead, a news channel can hunt for anchors !

I am hoping that April 1st has come early, but i fear that it is not the case !

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