May 062012
 

 

After almost 3.5 years I turned on my parents’ TV set today to watch Aamir Khan’s show Satyameva Jayate. I must confess upfront that i am not an Aamir fan – i find his films terribly self indulgent, I find his projected persona very tiresome & self righteous. I far preferred the fun Aamir Khan from the QSQT and Jo Jeeta Wahi Sikandar days. Its almost as though something has sucked away all the fun and spontaneity out of him, and left us with this pontificating figure.

Having said that, i was curious about Satyameva Jayate, especially given that industry at large was scratching its collective head at both the timing (11 am on a Sunday Morning) and the content (serious, chat show, with no embellishment. Real people, real clothes, little make up – a show that puts the real back in reality). Many I spoke to, some as late as yesterday evening, were not sure if the show will be accepted by the audience.

Today’s episodes was on the desire for a male child and the accepted, though illegal,  practise of female foeticide. It is one thing knowing the data. It is quite another hearing a woman talk about her in-laws who forced her to abort 6 foetuses because they were female. It is one thing to know about a woman being hit, it is quite another to see the scarred face in extreme close up as well as pictures that showed the face when it was all stitched up. The woman’s crime – giving birth to a girl. The show also took head on the myth that female foeticide is rife in villages. It is not. It is practised just as much amongst my neighbours as yours. Statistics show that the richer localities have fewer daughters than the poorer ones. A clip during the show revealed the prevalence of an organised cartel in Rajasthan that provided end to end service in female foeticide. But it was not just about the doom and gloom – it talked about how one DC of Navashehar in Punjab reversed the trend. Solutions are important. Problems are known but is it all beyond hope? no. and that is what is refreshing about this show.

Nothing presented in the show was new. What was new, however, was the approach. First person accounts of brutality suffered or loss endured are infinitely more powerful than experts in studios pontificating. Our journalists should take a leaf out of Aamir’s interviewing style – let the other person talk. The stories were heart breaking. Yet, the courage of these women was totally inspiring. There was nary a trace of self pity or negativity. these are women who give me hope and courage. Sometimes it takes a celebrity to drive a point home. Just as it took Amitabh Bachchan to drive home the point of giving kids polio drops.

The other thing that was very interesting was the treatment, starting with the  nature of the Set.  This is not a chrome and steel, post modern set with sharp edges. It is an old fashioned set in comfortable, non obtrusive  colours and with soft curves. Aamir is apart from the audience and yet is a part of it. The use of space and spatial distances – either by default or design – is very well done. Also interesting was the way it was shot and edited. No jerky camera movement, no ramped up shots. No extreme close ups. The technique was almost old fashioned. No jumping cameras, no racing trollys, no jimmy gibs, clean shots, clean edits… soft dissolves. a hark back to older, maybe nicer values.

This show is setting an agenda by using three things – a) Star value of Aamir Khan b) Star value of Star TV to reach an urban and semi urban household via satellite and cable, and finally c) Doordarshan for reaching households that don’t get satellite and cable. Hopefully a substantial chunk of the audience would be covered. For those of us who consume news on a regular basis most of the revelations are passe. but most of India does not consume news. At the height of the Anna movement last year, news consumption peaked at 11% of the total audience. While people may be aware that there is female foeticide in their family or neighbourhood – the stories don’t really hit home.

What is the reaction to the show? At home rapt attention. Friends of mine have liked it. many I know have spent their Sunday morning watching TV after almost a decade or so.  On twitter, a whole bunch liked the show. In fact most on my time line did. Then there were the moaners, those who wondered about the cost per 10 seconds and Aamir’s fees and the cost of production … not any issue with the show perse … am not even sure if they watched – but issues with the motivations of others.  Yet others were asking questions about Aamir’s religion and secularism . (yeah, there are those kinds as well). Reminds me a bit of the old Hans Christian Anderson Story of the Snow Queen - people who have a splinter of the mirror stuck in their heart and can only see an ugly world. But, hey it is a free country – and people are entitled to their misery and cynicism. And i am entitled to turn away from them and look at the sunshine streaming onto my face.

I am glad that Aamir Khan  has decided to produce & anchor a show like this. Am glad that the number one channel in this country has decided to move away from high pitched drama into sombre programming. I am grateful that it runs on Doordarshan. It has been a long time since Indian Broadcasting worked in the public interest – i hope that this marks the point at which the which an adoloscent industry goes towards adulthood by not just creating content aimed at titilating the lowest common denominator, but also at bringing the lowest common denominator a notch higher

And finally, Ram Sampath & Swanand Kirkire – o ri chiraya