Jan 012016

Bond’s latest outing, seems tired, jaded and repetitive. It has jumps in (film) logic, leaps of sheer nonsense, and an overwhelming desire to create a Grand Unified Theory of people who hate Bond, and would try and destroy the universe to try and get to him.


I quite liked Casino Royale. A fantastic relaunch of the Bond Franchise. I thought that the Quantum of Solace should have been 3 scenes that preceded Skyfall, which was totally awesome. I am not quite what Spectre was all about.

We have all heard of daddy and mommy complexes. If Skyfall had Raoul Silva (Javier Bardem) in competition with James Bond for Mommy’s (M played by Judi Dench’s) affections, Spectre introduces us to the arch Bond Villain – Blofeld (Christoph Walken) who was in competition with James Bond for the father’s affection (thankfully the father in question is Blofeld’s biological father, not the new M (Ralph Fiennes ).

All the conflict and violence that we have seen in the Bond Franchise since the relaunch of the franchise, is caused by daddy issues. The soapificaiton of Bond, so as to speak.

The film could still work, despite this kind of convoluted back stories and desire for an inter-connected universe and story line, if they had focused on the script on this. That is just all over the place. More than that, you get the campiness of the old Roger Moore Bond films, without any of it’s cheesiness. When James Bond (Roger Moore) stole a plane or a car – there was an underlying sense of humour to it. And, we as the audience, were in on the joke. Here, the same events are constructed with the utmost seriousness.

Daniel Craig is efficient as 007. Monica Belucci, about whom so much was written about in the context of her being cast as a ‘Bond girl’ is – how does one put this nicely – a one night stand. Blofeld is so calm, that he appears to be sleepwalking through his role. And, Léa Seydoux who plays the Bond ‘romantic’ interest, is like one of those women in the old westerns – in need of constant rescuing.  And M needs to grow a spine. Ralph Fiennes seems to have none of the toughness that would be required to handle a unit of double 00’s, he doesn’t even look capable enough to handle Miss Moneypenny, the way he is currently scripted and played.

Is the film worth watching – definitely. There are breath taking moments there. The opening sequence, for example. The fight sequence on the train. The end sequence. But, the problem is with a script that sags between the sequences. Maybe Skyfall spolit Bond for me. Maybe, i expect that kind of excellence each time.

Sam Mendes and Daniel Craig (a co-producer of the film) and the remaining creative talent, will need to put their minds together if they want to see the franchise survive. This, may have worked 30 years ago – but, you need slightly more sophisticated story telling today.


(IN 2016, i plan to watch atleast 100 films. Last year i managed 4. This is the first to kick of the year).

May 132012

My Column in today’s Lokmat 

Yes the Force will be with them

A mother is the cradle of civilisation. We are what we are because of them. And, in Indian cinema, they are the scene-stealers. And, also the cause for your samosa and popcorn getting oversalted, as your tear up in the comfort of the dark watching gung-ho males quivering their lips and warbling: “Maaaa!” Harini Calamur peeps into her bioscope to rewind Bharat”s history and Indian cinema”s solid theme on the special day and for Lokmat Times” continuing series on 100 years of Indian cinema

Aai! Maa! Mom! Mother. The term that is laden with emotion. An emotion of security and safety. An association of being well-loved. A memory of being scolded for doing wrong. A taste of your favourite meal. The comfort of hiding your head in her lap and wailing. The sensation of being protected, comforted and safe. A flash of her sitting next to you when you study. The vision of her bringing you a glass of piping hot tea, when you used to wake up really early to study for your board exams. And yes, a flash of her disapproving, which translates thus: “Look at something you have done!” All these memories are distilled in us as various threads that we can call on when we need it the most. These memories are indeed special. Almost every culture in the world has one day in the year dedicated to celebrating mothers, motherhood and the love that is showered on you. The logical question is why only one day, what about the remaining 364 days. And, the answer is quite simple — one day in a year helps create an ‘event’, sell cards, market chocolates, and create a warm & fuzzy feeling around motherhood.


In India the cult of worshipping the  mother is as old as time. The Mother Goddess, Mother Earth, Birth Mother, Adoptive Mother, Step Mothers, Mother of the heart – the epics had them all. The ancientIndusValleycivilisation had depictions of the mother Goddess. Hindu theology is replete with stories of the Mother of the Universe destroying evil and saving her children. The epics, the puranas have given us some fabulous role models as the epitome of motherhood. And, till today those ideal types  endure. Indian cinema has given them a lease of life and converted these to stereotypes we all know and love.  So, on Mother’s day –here is looking at you, mother!


The Mother as one who endures. The child gives birth to a mother, goes a popular saying. It is almost as though a switch is turned on. The moment a woman becomes a mother, her tolerance for all things increases exponentially. She endures for the sake of her child or children. She tolerates almost anything, until such time an invisible line is crossed. When that happens she takes action that is fairly final, including taking action against a child who disturbs the lives of her other children. . In legend this is the role played by Bhooma Devi or Mother Earth.  She who endures till she can endure no more. Movies have tried to build this epitome of motherhood through their narrative. All movie mothers built on this stereotype don’t necessarily have to kill their kids, but they definitely endure all sorts of travails and troubles while being good ‘marg darshaks’ for their children. The most famous of all Indian films based on this role model is Mehboob Khan’s film Mother India – starring Nargis. From the word go the movie is about a woman who endures everything that the universe throws at her. Death of a husband, extreme poverty, a salacious money lender, being a single mother, having to manage on her own – everything is taken in her stride with equanimity . The iconic poster of Mother India wielding a plough to farm on her meagre land and provide for her children reinforces this image of the Mother. And of course, the final scene in which she shoots her son to maintain ‘dharma’ is a hark back to the most ancient narratives of the mother. She has to do what is right for the good of the social order.

The Mother as the Guru, the teacher of values. A mother is the guide who forms the child’s character, teaches him between dharma and adharma. And, in this regard there is no mother greater than Kayadu, the wife of Hiranyakashyap and the mother of Prahlad. This tpye of mother is a pillar of goodness and decency and will stand up against her husband and disown her son, if need be, if they deviate from the path of righteousness. Indian films have honoured this form of mother in many movies. One of the most enduring Marathi Movies is Shyaamchi Aayi, based on the book by Sane Guruji. It is the story of a mother who teaches her son, through personal example,  the importance of values. Till today, the movie and its message resonate with audiences. Another mother in the same mould is Nirupa Roy in Deewar. She brings her sons up, with great difficulty –enduring poverty and manual labour to give them a chance at a better life. When her favourite son – Amitabh Bachchan (Vijay)  in one of the most powerful roles in Indian cinema – strays from the path of what is right, she disowns him and goes to live with the good son – Shashi Kapoor (Ravi). When Vijay taunts Ravi, in the film, with his wealth and possessions and asks Ravi what he has,Ravi’s retort “Mere paas maa hai” is a reminder of the values most mothers expected us to follow, and the acute disapproval when we didn’t follow those. The same is the case  with both variants of Agneepath. The mother’s disapproval of the wrong path chosen by the son is evident, as is the need of the son to be accepted by the mother. All three films end with the death of the errant son in the lap of the mother. As symbolism it can’t be greater – Motherhood will not accept wrong doing by the child and the imparting of values is as important as feeding or giving love.

The Unwed Mother – Happiness mana hai –  Ever since Kunti invoked the power of Surya – the Sun God to have a child, and then abandoned that child, Indian stories have had the motif of the unwed mother. The unwed mother will know no joy in her life. Her life is one of struggle and tears. Her overwhelming guilt at breaking societal rules and at abandoning her child cripples her actions, and allows her to believe that is her only fate in life is misery. The  Tamil film Dalapti, is a modern day interpretation of the friendship between Duryodhan and Karna – but the tragedy of the Mother is as much a pivot of the story as is the friendship. Sri Vidya plays mother to Rajnikanth (Surya) the son she abandons at birth, and Arjun, (Arvind Swamy)  the son she brings up. Her character, throughout the film, only expresses various degrees of acute unhappiness. The Hindi film Aaradhna and its Tamil Remake Sivakamiyin Selvan- have the lead female protagonist going through hell for act of having a child out of wedlock. However, the bonds of mamata are stronger than anything the universe can throw at the woman and she (Sharmila Tagore in Hindi, Vanisri in Tamil) stands like a rock to protect her son. In Paa, the heroine Vidya Balan, decides to be an unwed mother, and while society and her family is kinder to her, her child is afflicted with an illness that can only lead to tears all around. More modern films like Kya Kehna do not heap so much unhappiness on the unwed mother, but they are exceptions and not the norm.

Annapurna – the mother who feeds. Annapurna in Hindu theology is the goddess of food who takes great joy in seeing her children (all of us) fed. In Indian films. Maa ke haath ka khaana is one of the most oft repeated clichés. The mother is for ever making and feeding her children with the choicest of dishes. It is almost as though the love with which the mother makes the gaajar ka halwa or the garma garam phulke gives the hero a suraksha kawach with which the bullets of the bad guy are deflected. A mother, in Indian films, can look at her child and know his hunger. It has almost ruined most Indian children’s diets. The mother looks at her child, decides he is hungry and stuffs him with the most cholesterol ridden food. After all, if you cannot show your love through food, how else will you show it?

The Adoptive Mother – ever since Vasudev let  Krishna with Yashoda, on a dark and stormy night, motherhood implies the woman who nurtures and brings you up – not just the mother who gives birth to you. Movies like Naam, Parvarish, Amar Prem – talk about a feeling of ‘mamta’ that is beyond birth pangs. Her maternal instinct can embrace the whole world and still have enough maternal love left over for some aliens. In the film Anari(1959), Mrs.D’sa looks upon Raj Kumar (Raj Kapoor) as her own son, and he reciprocates that deep affection and feeling. Salma (Waheeda Rehman) brings up Sunny (Rishi Kapoor) with the same love that she had bestowed on her biological child Iqbal (Amitabh Bachchan) in the film Coolie.  In  Karan Johar’s film Kabhi Khushi Kabhi Gham – Jaya Bachchan’s character loves her adoptive son (Shah Rukh Khan) just as much as she cares about her biological son (Hrithik Roshan) . Movies  such as Mani Ratnam’s Tamil film Kannathil Mutthamittal (a peck on the cheek) deals with adoption in the modern era with a lot more sensitivity. But, it is an exception. By and large the old hindi film dialog “aaj se tu mera beta aur mein teri maa” (From today you are my son and I am your mother) holds more true than taking a nuanced look at adoption.

The Step Mother – ever since Kaykeyi moves into the kopagruha (the room of anger) and demands the exile of Ram and the coronation of Bharat – the role of the step mother has been looked at with suspicion. One of the earliest films from Kerala – the movie Balan dealt with a boy and a girl exploited by the evil step mother. They run away from home to find love elsewhere. In the Hindi film Beta – which is based on earlier Tamil (Enga Chinna Rasa) and Kanadda ( Mallammana Pavada) films deals with a step mother out of hell. Anil Kapoor’s character loves his step mother (Aruna Irani) and would move heaven and earth for her. She on the other hand wants him out of the way so that her own son can inherit everything. More recent films such as ‘We are Family” based on the Hollwyood film “Step Mom” take a more sensitive look at this issue – but frankly, it is far more fun to see an evil step mother on screen than have watch a much nuanced film on the same.

The Single Mother  – The prime example of a Single Mother who brings up her children with the best of care and nurtures them is Sita. She brings up her children alone, after her husband, Shri Ram, exiles her.  When they grow they take up the issue of their mother’s humiliation with their father fairly effectively. Kalidasa’s Shakuntala touches on the same theme. The woman rejected by her man and her fight for her child’s patrimony. The boy is Bharat – the emperor after whom this country is named. What greater tribute to a single mother.  Indian films are full of stories of women who are abandoned by their men because of social pressures. For example, in the film Trishool – Sanjeev Kumar abandons Waheeda Rehman. She moves away – into exile – and brings up her son. The son grows up to be Amitabh Bachchan and settles the score on his mother’s humiliation.

The Conflicted Mother – The bond of the mother and the child (son), as portrayed in legend so strong that it can sometimes threaten the authority of the man as the head of the household. One of the earliest example form the epics is the story of how Shiva decapitates his son for following his mother’s (Parvati’s) instructions .It takes a unleashing of Mother’s powers to get the Mahadeva to restore his Son’s life, albeit with an elephant’s head. That family lived happily after. But, most women have faced the conflict of choice between the two most important men in their lives – husband and son. In the film Moghul-e-Azan we see the depiction of the fight between Akbar (prithviraj kapoor) & Salim (Dilip Kumar). But the most imporatnat woman there is not Anarkali (Madhubala) but Jodha (Durga Khote) – the wife and the mother who is put in a position of having to choose. A similar predicament is faced by Rakhee in Shakti – her husband (Dilip Kumar) a cop and her son (Amitabh Bachchan) are estranged – and that takes a toll on her. She does, in both these cases, choose the husband – but the cost of her choice is high.

And finally even nature cannot compete with the power of motherhood. Death bows before her. As is evident in films like Karan Arjun – where Rakhee’s character wills her dead sons to be reincarnated to take revenge on those who wrecked her life.  The power of motherhood is a magic wand, it so impacts those who see it that even the wicked transform. In the film Dada (1979) gangster Fazlu (Amjad Khan) comes across the abandoned wife Tara Dharamdas (Seema Deo) and the way she brings up her son (Vinod Mehra). He is so moved by the power of that love that he turns new leaf and becomes ‘good’. The song “’Allah Karam Karna Maula Tu Reham Karna’ tells of the point of transformation of the bad into good through the power of mother hood. magic of motherhood is that it recognises ‘its blood’ even through blindness and does not need complex DNA tests. The line “meri mamta yeh keh rahi hai ki woh mera beta hai’ epitomises the woman’s link with her child. In the film Amar, Akbar, Anthony –a sightless  Nirupa Roy gravitates towards all her three lost sons without even realising that they  are hers. Motherhood sees no religion, no race, no looks. It just loves without questioning.

Indiais a young country – our median age is 26. In such an era film makers are tending to make films about the lives of 26 year olds and their trials, tribulations and coming of age. The mothers too have become more modern. Less traditional and more ‘cool’. However, when a film comes along that harks back to the traditional mother – the mother with the gajja ka halwa, the mother who soothes your brow, the mother who waits up for you to get home, the mother who yells at you because you are doing the wrong thing – it still resonates with the audience. Nothing stops us from celebrating Mother’s day all year long, but today is extra special. The day, that maybe, you tell you mother about all the little things that made your growing up years so very special.

May 162010

I like watching movies uninterrupted. no breaks every 15 minutes, no phones ringing, no kids crying …. Which pretty much rules out watching movies on TV or even at the multiplex. At one point in time I had a huge VHS collection – now I tend to buy DVD’s where i can, or watch it as a DIVX.

I acquired a Body of Lies sometime last year. I have always liked the work of Ridley Scott – and consider Blade Runner amongst my favorite films of all times.

Body of Lies is Ridley Scott’s adaptation of a novel by David Ignatius.The story is about the CIA’s war on terrorism – and how the lines get blurred between them and those they fight.

Di Caprio plays Roger Ferris a ground level operator – who hops across the Middle East trying to keep the world safe ! Russel Crowe plays his CIA controller Ed Hoffman – flabby, and with a God Complex – who pulls his strings like a puppeteer.

The one role that stood out was that of the Jordanian Intelligence Chief Hani – played by Mark Strong. He is alone worth the 2 odd hours you spend on the film.

If you suspend belief – which you must since this is a film – the film is plausible. The film contains the kitchen sink – Gizmos, satellite technology that can read a coke label from the skies, A Hero who can flit from country to country and take over spy operations, who speaks the language like a native, who along with one guy on a computer manages to create a terrorist organisation by him self, and a nice nurse whom he falls for – and for whose safety he hands himself over to the bad guys to face torture and possibly death. It makes you ask ek admi desh ke liye kya kya karega :)

In a way it was a nice Sunny Deol role for Di Caprio – the only thing missing was dancing in the desert.

Di Caprio is earnest as Roger Ferris – almost believable in what’s a Bond role without the suspension of disbelief. Crowe – his controller, and someone Di Caprio is in conversation all the time – has a seriously funny track. He controls intelligence while playing dad – in between taking his kids to the loo, football matches, dropping them off at school and the like. If intelligence is controlled this way – no wonder the US is losing the war on terror :)

This by no means was a bad film, but it is not something i will remember even next week !

Dec 202008

Shefaly has a meme up here, on the A to Z of films that she liked, and has very generously asked readers to ‘steal it’ – and i needed something light to blog about — i have overdosed on ‘soapbox’. in fact at times i feel like a soapbox standing on a soapbox giving a lecture :)

when i began this meme, i thought it would be easy. I have watched zillions of films. And, then the debate began. Is it movies that you enjoyed technically, is it movies that you enjoyed cinematically, are they movies that i enjoyed intellectually … for example should it be A for Apu Sansar or A for Amar Akbar Anthony?

So finally i decided, that these are the equivalent of soul movies – just as dark chocoate, or playing with the dog, or getting a massage makes the world seem better, so do these films. These are movies that make me laugh even now. Movies that wave their magic wand and transport me for 3 hours into a world that is entertainment !

Here goes:

Amar Akbar AnthonyI love this film. Despite all its illogical inconsitencies. The opening sequence where [tag]Amar, Akbar Anthony[/tag] are hooked up directly via tubes to Nirupa Roy, donating blood simultaneously right into the receipient; the classic inebriated [tag]Amitabh Bachchan[/tag] having a conversation with his mirror image, [tag]Nirupa Roy[/tag] as mother getting her sight back after a Sai Baba bhajan; and of course Anthony Gonzaves :)

Babe – ok, I am a sucker for fairy tales. Especially where you have stories ugly looking, clumsy animals trying to fit in. And no i don’t want pop psychology :)

Chupke Chupke – Take one ghas phoos waale botony teacher, one jijjaji who likes shudh hindi, a woman who wants both the men in her life (jijaji and husband) to like each other, an English professor who stands in to teach biology and a whole bunch of other craziness, and you have Chupke Chupke. I can watch this film any time and smile :)

Dumbo – An elephant with oversized ears is initially the laughing stock of the circus, but soon proves himself. Dumbo … can still make me sob like a baby :) in the nicest sense of the way . Here is a drunk Dumbo having a blast

E.T. – I was 22 and in London. I had tuberculosis and didn’t know it (till 3 months later). It was Christmas, i was broke, heart broken and ill. I was trying to be strong and brave and live in a state of denial. And, then I saw E.T. I saw the alien wanting to ‘phone home’ and something within me broke – i cried and in crying i healed. I phoned home, my heart mended, my body was healed … so this film is kind of special.

Field of Dreams – ‘if you make it, they will come’ says the voice in Ray’s head – setting the stage for web businesses from then on :) In this case the task is just as improbable – build a baseball pitch in the middle of a corn field – to allow a bunch of players who threw matches to redeem themselves. Yes, that is the other theme that i tend to like – redemption. And, i didn’t even study in a convent !

Golmaal – the story of little white lies that become huge big whoppers through which the entire Tank Corps can pass … Hrishikesh Mukherjee in top form. The silly stick on mustache rules

Hero – Subhash Ghai’s launch of Jackie Shroff as a response to the tantrums of star kids, and a star was born. Has a man ever looked more yummy ? I was a school kid when it came out, and had my first crush. How smile evoking is this film – they have a song called ‘Ding Dong Baby Sing Song”. seriously !

Indiana Jones and the Last Crusade – great action, wonderful setups, two gorgeous men and some great banter. Not much that can ask for in a movie !

Jaane Bhi Do Yaaron Can there be a movie nuttier than this. Do you remember the Draupadi Vastraharan scene ?

Kranti – this is in for completely the wrong reasons. every time i see [tag]Manoj Kumar[/tag] with that big pendant i have this urge to laugh. Everytime, i see everyone from [tag]Prem Chopra[/tag] to [tag] Dilip Kumar[/tag]; [tag] Hema Malini [/tag] to [tag]Sarika[/tag] hamming it – i crack up. I see this movie, not as a patriotic film, but as an out and out comedy :). Imagine a bunch of revolutionaries singing ‘channa chor garam ‘ before they blow up a fort !

Lion King – Simba rules as does Hakuna Matata

Midnight Run – a film that seriosly makes me laugh. [tag]Robert de Niro[/tag] and [tag]Charles Gordin[/tag] in a film about a modern day bounty hunter and a con on the run. Great dialogues, great chemistry and a nice film.

Naked Gun – I really like the naked gun series, especially when i feel fried with the world. I love that 60’s feel and earnestness. Leslie Nielsen is a blast

Om Shanti Om – or OSO – mindless, silly, but supremely entertaining. SRK as the bhola and the brat work very well. a movie that has a song called ‘dard e disco’ is not taking itself seriously, why should you ?Leave you logic at home and smile !

Pretty Woman – she is a woman of negotiable affections, he is a man with non existent morals. And they meet, fall in love and live happily ever after. [tag]Richard Gere[/tag] and [tag]Julia Roberts[/tag] sizzle in this reimaging of Cinderella !

Qayamat Se Qayamat Tak – not really but i couldn’t find anything else with Q – not even quantum of solace ! and, yes there is a whole bunch of silliness in the film that makes me smile – still worth watching for a young [tag]Aamir Khan[/tag] and a bubbly [tag]Juhi Chawla[/tag]

Raju Ban Gaya Gentleman – [tag]Shah Rukh Khan[/tag] and Juhi Chawla – light up this one. I always saw it as a modern Shri 420

Singing in the Rain – just singing in the rain … [tag]Gene Kelly[/tag] and a track that is magic. for best effect, watch when it is raining :)

and watch Donald o’Connor & Gene Kelly in Moses Supposes

To Have & Have Not – ‘you know how to whistle don’t you. Just put your lips together & blow.’ [tag]Humphrey Bogart[/tag] and [tag]Lauren Bacall[/tag] sizzle in this studio production of romance, smuggling and war !

U – none

V – Not Really … Victoria no. 203 (the older version) but not really :(

When Harry Met Sally – Remember the scene in the restaurant ?

X – definitely not X-men :)

Yalgaar – if the sight of [tag]Feroze Khan[/tag] calling [tag]Mukesh Khanna[/tag] pappa, or dad – cannot crack you up, then nothing can. Like Naked Gun, this should have been a parody – but ….

Z – not really.

We live in times, where it seems that there isn’t much to smile about. but, there is. People, events all manage to make us smile and understand that the bulk of the world is not just good but also good matured. so spread this meme :)