A story about a young woman – a cinematographer – who has everything going for her. She is confident, talented, good looking – and yet feeling completely out of sorts. Nightmares. Insomnia. A sense of being on the edge with everyone in her life. A sense of not belonging. we have all been there.
But, she does something, most of us don’t do – she visits a counsellor for help to take charge of her life again.
Alia’s character, Kaira, does not have any dark demons. No child abuse. No abusive parents. None of that. And, that is what make’s Gauri Shinde‘s take on mental health so interesting. The fact that seemingly ‘normal’ people can have problems. That you can cope with your everyday activities, have fun, laugh, smile and all of that, while you are crumbling from the inside. Alia’s vulnerability and brittle strength are played well. SRK as the counsellor is outstanding. The sheer empathy, decency, and that his character does not judge situations or issues in the young woman’s life, or her choices, makes him a poster boy for popularising mental well being. I am not sure anyone else could have pulled off the role as well – there was, unlike in most of his films, no SRK superstar in this film. There was only Jahangir Khan (Jug), and you wish you met someone like that when you were going through your own shit (without outside help). And, it is not because of the way he looks. It is because of the way he is. SRK, is infinitely better when he plays his age (or close to it).
A bit talky, maybe 15 minutes too long . But, beautifully cast. well acted, and a lovely little slice of life. I would definitely recommend it to watch in the theatres – preferably with BFF’s, an extra large box of tissues, and some pop corn.
Bites the hand that feeds him – screamed the headline on Firstpost.in on Shah Rukh Khan, reminding me of Sholay. Had discussed the film with my class this morning, and the film was kind of fresh. The introductury scene of Gabbar, he is ranting at his 3 men for losing to those two. In the most chilling part of the scene – Gabbar pulls out a gun and plays Russian Roulette with his defeated men. He asks of one of them (Kalia)
“ab tera kya hoga kalia?”
This entire concept of namak khana, biting the hand that feeds them – is so incredibly – how does one put this nicely ? – feudal.
The fact that the author loathes SRK is fairly evident, what is more is that this loathing seems to have overcome any half decent form of accuracy. Hey, i know opinion pieces are meant to be opinion, but even opinion is based on a modicum of fact. Some samples :
More importantly, he was embraced by a generation of Indians who were evidently so swayed by his looks (or whatever else they saw in him) that they readily overlooked his vacuous performances, blessed him with fame and fortune – and even went on to crown him ‘King Khan’.
(embraced across generations – not preteens anymore – but pretty much the rest, and especially women)
At the peak of his career, Shah Rukh was spoken of in the same breath as the Shahenshah of Bollywood, Amitabh Bachchan. That comparison may have been valid in terms of the box-office appeal that both held, but a certain indefinable element of classy refinement that Bachchan exuded even when the cameras were not whirring remained forever out of reach of SRK.
subjective – and therefore one will not comment on it. biases are allowed. I have mine, am sure the author has his. Except that in the last year – SRK was the highest earner in Bollywood, not someone past the peak of his career.
In his eternal quest to be the ageless Peter Pan of Bollywood, Shah Rukh appears not to have come to terms with the fact that while once he may have commanded a forgiving fan following, he is well past his prime. Like the Norma Desmond character that Gloria Swanson essayed in Billy Wilder’s Sunset Boulevard, he is only clinging on to the memories of a happier day when the arclights were turned on him and the adulation of fans enveloped him in a warm, glowing embrace.
good lord, this person obviously neither watches Hindi films nor follows box office reports. Norma Desmond, incidentally, is the lead character in Sunset Boulevard, a silent era star, and who, in the film, hasn’t been seen since the coming of sound. SRK’s last film – the unintentionally funny – Jab Tak Hai Jaan – was one of the 8 filmsthat crossed the 100 crore mark in theatrical revenue in India & twice that in overseas territories– (that means that many tickets were sold).
So, by every verifiable metric, it’s fair to say that Shah Rukh Khan has enjoyed more success – and earned more fame and fortune and fan-love – than he arguably deserves. Which is why it’s difficult to account for the victimhood chip – rooted in his identity as a Muslim – that he bears on his shoulders.
Who decides who deserves what ? He doesn’t deserve this on what parameter ? Has the author seen other super stars – desi and hollywood and their performances ? Does a Tom Cruise deserve success ? Superstars bring people to the theaters, they create value all down the value chain.
And, the author’s grouse :
In an interview that he gave to an overseas publication, Shah Rukh Khan is quoted as saying that he “sometimes become(s) the indvertent object of political leaders who choose to make me a symbol of all that they think is wrong and unpatriotic about Muslims in India.”
Now, which part of inadvertentdoes the author want explained ?
this is a translated version of what was written in Samnaafter SRK suggested that Pakistani cricketers play in the IPL (for the record, i don’t support that or indeed them being cast in films or tv shows)
Shiv Sena chief Bal Thackeray on Saturday said Kolkata Knight Riders co-owner Shah Rukh Khan should be given Pakistan’s highest civilian award, the Nishaan-e-Pakistan, for supporting the inclusion of Pakistani cricketers in the IPL.
Thackeray said in his party mouthpiece Samna that the ‘Khan’ inside Shah Rukh Khan must be crushed by the ‘Har Har Mahadev’ war cry.
The author goes on
It’s true, of course, that your films have had their problems with Shiv Sena leader Bal Thackeray, who kicked up a shindig by protesting against your film My Name Is Khan on specious grounds.
The Shiv Sena did not have a problem with the film “My Name is Khan”, they had a problem with SRK statement regarding IPL and wanted to take it out on My Name is Khan in retaliation (btw i have seen the film and it is mawkishly sentimental) And this is what SRK said , that got him into trouble
“They are the champions, they are wonderful but somewhere down the line there is an issue and we can’t deny it. We are known to invite everyone. We should have. If there were any issues, they should have been put on board earlier. Everything can happen respectfully,”
And, incidentally this is what Shilpa Shetty (another team owner, whose name is not Khan) had to say about the same issue:
“If you ask an Indian whether he would like to see Shahid Afridi play in our country, he would say yes. But you must look at it pragmatically and see that we have had these people who are constantly threatening.It’s not something we hold against the Pakistani players. We completely understand the situation but as franchise owners are we willing to take that risk? If something happens to the Pakistani players, the onus lies on us and who is going to take responsibility for a situation like that,”
And this is what Preity Zinta (another team owner, whose name is also not Khan) had to say about the Pakistani Players in IPL
”We would have loved to have the T20 world champions in our teams to bring real joy to the extravaganza but what can we do if we have certain threats about not only our own safety, but the safety of the Pakistani players too, with no official quarter assuring us of foolproof security of players during the tournament,’
Therefore, given the same event IPL, to be held post 26/11, with three star owned teams – if you eliminate all other factors – the only one left is that they picked on SRK because he is a Muslim. (it could also be because he is a man, but i dont think that he SS would eliminate 50%+ of their voters)
And it continues,
So, grow up, Shah Rukh, and learn to take it on the chin like a man. Don’t bite the hand that fed you – and made you who you are – by running off to an overseas publication and crying your heart out, thereby providing the space for low-life terrorists like Hafiz Saeed to take potshots at India.
On SRK Being resposnible for Hafeez Saeed’scomments, it would be good to read the whole piece and figure where that comment came from. I daresay it was from mangled headlines from the MSM. In which case, i wonder who is responsible for Hafeez Saeed’s comments. Also, what is this with treating Hafeez Saeed’s statement as being important, instead of dealing with it with the contempt it deserves – what do people expect from Hafeez Saeed – Kudos for India?
On his being inebriated and badly behaved – sure – he is human. And,a flawed one at that. Where he attacks people who cannot fight back – like the security guard in Wankhade, please take him to task. When it is with other, equally successful, members of the film industry, let them sort it out.
I can criticize India, the armed forces, decisions on hanging terrorists or not, Pakistani Players or actors in India, peace with Pakistan and the rest of it – and not once (mabye once) there will be calls for me to move next door. People may question my logic, my intellect, my wisdom, my credentials – but not my right to be in India and make those comments. SRK has those rights too. He is a citizen and like all citizens has the right to critcize the system without having to prove his love for the country every time he does so.
Finally this is neither about the Indian state, nor the people of India, nor the great Indian paying audience – couldn’t care who was what religion so long as they sell tickets. It is not even about political parties, apart from those like the Shiv Sena – whose stock in trade this is. People from across the political spectrum came out to support SRK, when the Shiv Sena went on that blistering attack on him.
“We do not consider it correct to use such terms for Khan. His contribution to Bollywood and as a cultural ambassador is immense,” Ravi Shankar Prasad of the BJP, contradicting their ally in Maharashtra to defend SRK. .
This is rather a comment on the Indian media, who takes things out of context to raise passions, then when those passions are raised – whether it was in terms of misquoting SRK on IPL or in this current case, or indeed anyone else – use those raise passions to attract more eyeballs. Am not sure that this is meant to be the role of the media – to stir the pot and wait for people to get at each others’ throat.
I am not the world’s greatest SRK fan. there are films that i have enjoyed, films i have loathed and films i have not even bothered to watch. But, thisis a hatchet job. And, a badly researched hatchet job at that. I am not sure what bothers me more.
(declaration : I have neither met SRK, nor worked with him, or have pitched to him, or likely to – we are completely in different universes) ..
This, incidentally, is the piecethat firstposthad issues with. and, it is a wry, funny piece on what it means to be a Khan …
The person i feel sorriest for in 24 hour news channels is the Sound Recordist. Having to hear our esteemed ‘news anchors’ screech their way through various issues – must deafen the strongest of ear drums.
Of all the news channels, there is none more screechy than CNN – IBN – i can hear it 2 rooms away – when my mother has it on in the hall. i keep wondering why they don’t use an audio limiter .
Over the weekend, they – like every other news channel – milked the SRK controversy for all it was worth, and the decibels were higher pitched than normal. Wall to wall discussions on a non-issue – with the view of boosting up their TRPS’. Nothing wrong in that – so long as we, the audience understand that they are in the business of making money -and take everything that they say with a bag of salt. They want higher TRPs because that means more money.
Perhaps the wonderfully talented Shah Rukh Khan, beloved of millions, should limit his superb skills to doing what he does best: making great movies and enhancing the silver screen. His lectures on geo-politics, America’s role in the world, security procedures and international diplomacy are a little bit hilarious. So you endured a bit of questioning at Newark because your baggage hadn’t arrived on time, Shah Rukh? So what? As Meghnad Desai said on Face The Nation, what’s the big deal? Be like APJ Abdul Kalam and just get on with it.
I take it that “Face the Nation” is a programme on their channel. and they get Meghnad Desai on – he btw is an Academic, Historian, Economist & widely read – to comment on this ????
Now, given that she and her fraternity & sorority – across news channels – had blanked coverage on this- made SRK into some sort of a martyr, and vilified some poor immigration clerk – i find it kind of absurd that she is trying to take the moral high ground by attacking Shah Rukh Khan. So, they are using him for two days to rail at the American system. And, then they are using him to rail against the Indian system. Manufacturing News if not Consent !
Maybe, Mr.Shah Rukh Khan – or any other celeb- ought to take the Paris Hilton route with news channels. You have used my image, and my name to make money – pay me ! Seriously.
At first, when my nani called me up to tell me that SRK was arrested in the USA – I thought that they had sent him to Gitmo ! Then i realised it was a 2 hour stop at the airport. I wonder how much airtime was spent on this – and to the exclusion of what ? and how much money did the “NEWS” channels make.
Take one bloated super star ego, mix a nation in the grip of paranoia ; stir in customs and immigration officers who think that they are god ; simmer with silly season ; add a dash of news channels with no ethics, and journalists who would sensationlise their mothers’ sex life if they thought it would get them better TRP’s – and bingo you get ‘……because My name is Khan’ kind of overkill.
The unkind say that this was publicity for the film. I don’t buy that – this sort of stupid serendipity cannot be paid for. It has to happen only when every body f***s up and the News media compound it by forgetting that they are the watchdogs on behalf of the public – and get co-opted by the ruling elite.
On the day Shahrukh Khan got detained for two hours — oh my god, how can someone stop SRK for two hours, hang them, quarter them; no quarter them, hang them — 21 farmers committed suicide in Andhra Pradesh because they couldn’t pay off their debt.
But, farmers committing suicide cannot be sponsored, it does not drive up TRP’s and it definitely is not conducive for off the cuff ranting by our esteemed ‘journalists’. (note: i use the term journalist very, very loosely, and I apologise to any real journalist who is offended at my comparing the lot on TV to them)
24 Hour Blogs – one can say – but that too,would be unkind. There a whole bunch of bloggers whom i follow and whose integrity and intent I respect – even if i differ with them on their views. There isn’t a single TV journalist I can put in the same category.
Since 26/11 I have stopped watching TV news – except for DD. I read papers – sometimes – but mostly I subscribe to various RSS feeds – including bloggers, columnists and news agencies – and I figure what is happening in the world. I get my updates from my mother or my grandmother – who are avid news watchers on the death and disaster and slap to ego that is happening in the world. I listen to them, much the same way that I do, when they tell me what is happening in their favorite soap 🙂
So if we can’t call really call them journalists, or news channels or even bloggers – then what are they? If you read this excellent piece in The HOOT you will realise that a whole bunch of them are putting out ‘NEWS’ that is not in Public Interest – as they claim – but in the interest of Interested Parties – that they have close commercial ties with. So 24 hour Infomercial Channels – is possibly what we ought to call them. They have the same repetition, the same music that drives you to action, the same kind of ‘we asked 30 people and they said’ mode of driving home their point. So, if they are in the pay of commercial interests and if they are putting out content in the interest of these commercial interests, shouldn’t they be regulated by some body ?
The buzz, the glamour, the hype, the smartness, the over exposure, in a way makes us forget what a good actor [tag]Shah Rukh Khan[/tag] is. And, [tag]Rab Ne Bana Di Jodi[/tag] is another example of a person carrying a film by their sheer ability.
Yesterday, along with a full theatre at [tag]Cinemax Versova[/tag], I saw Yash Raj Film’s latest offereing [tag]Rab ne Bana di Jodi[/tag].
Aditya Chopra and SRK have delivered the ultimate Hrishikesh Mukherjee film – a story of an everyman, with his everyday issues, who is not out to lead revolutions or beat up bad guys – but who has his own little universe, his own woes and his own issues. and how he overcomes them.
In a bad market, with a sense of insecurity that permates – a movie like this reminds you that things are possible. All you have to do is try.
The story is very simple. Two nice people Surinder Sahaney (SRK) and Taani (Anuskha Sharma) enter into a marriage of convinience. Surinder – Suri – an officer at Punjab Power (we light up your life) – has no great expectations of life or love, but he falls truly and deeply in love with his wife. Tanii, on the other hand, recovering from the death of two peole she loved the most – is in a zone where she wants no love. The story is about Suri deciding to woo his wife. He does that by taking on another persona.
The premise isn’t new. But, the characters are. It is a story of two ordinary people and how they fall in love. And what they do to find love.
Shah Rukh Khan carries the film. You laugh, and cry and root for him – like you never have. Newcomer Anushka Sharma is believable – and after a long time there is a heroine who can deliver dialogue in normal Hindi. God is the other main character in the film – although s/he is never shown. But the presence in the film is real – which possibly helps to explain loopholes in the screenplay. But, this kind of a film is not so much about screenplay as it is about characters and what they say to each other, and, [tag]Aditya Chopra[/tag]’s dialogue script is brilliant. The dialogues are real. The characters are real. Some situations situations may be slightly contrived, but hey, its a film 🙂
The ethos of the film is very middle class suburban India. Not the elite, the media or services. But, people from the PSU’s, Nationalised Banks – not the bureaucratic elite, but the officers who mind the place. An India which is pretty much tolerant and integrated – go to a Government or LIC colony to see what i mean. And, this is reflected very subtly in the film. It is nice to see YRF that spearheaded the NRI based movie , return to roots.
There is some very clever product placement in this film. check out the integration of Pepsi, Santro and Compaq.
We live in a time where we don’t have much to smile about. Watch this film. If just to smile and feel good.